Diego Velazquez: a breathtaking technique for his time!

Art has been an integral part of human life for a very long time. It accompanied the first steps of the intelligent man. It manifests itself in different forms at the present time in human life. Art is present everywhere yet by what everyone sees, what everyone hears, and even what everyone feels. It is an infinite number of things that translate the feelings of the artist in question. It is only the technique that evolves as the world faces a modern era, but the goal has always remained the same. The goal is to amaze his contemporaries through these works of art.

Who was Diego Velazquez really?

Diego Velazquez, whose full name is Diego Rodríguez de Silva y Velázquez, was a Spanish Baroque painter. He was born in Seville on June 6, 1599. He worked for King Philip IV of Spain. To this day, this Spanish Baroque painter is recognized worldwide as one of the universal masters of painting. Diego Velázquez's technique is such that he is still remembered as one of the best.

What kind of technique was used by Diego Velazquez?

The technique of Diego Velazquez could be defined in a few intense phrases, it was breathtaking and mark of a deep genius in the world of arts. Already in his time, he was adulated by many artists in the court of Philip IV, and this, because of his breathtaking technique. He began his career as a naturalist painter and used a chiaroscuro background, his technique later evolved as a result of his new experiments during his travels. From chiaroscuro, he then began to find more colors for his paintings.

The major works of Diego Velazquez

If the fame of the technique of Diego Velazquez has grown so much in the art world even today, it is primarily through these works. Indeed, the paintings of Diego Velazquez are still maintained and hold a special place in one of the most recognized museums especially in the field of art. Among them are The Education of the Virgin and Isabel of Bourbon. Many works have been attributed to Velazquez. Others are not yet truly attributed to Velazquez, but an authentication is still in progress.
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